Sri tallapaka Annamacharyuni Sringara Sankirtanalu - Madhura Bhakti

a*.

^(151995
>

1000

a*.

So. 361,

- 27.
^5:666919

So. 361, a ,05. esS".

- 500 070.

2,

3 .
4.
5.

6.
7.

3-20
21-32
33-50

51-82

83-228

229-238

- 2143

M.A., Ph.D. (Teiugu), M.A. (Sanskrit)
Chairman, B.O.S.,

- 500 007.

27-7-95

. a*.

. cr. 6orrur6

ooJ'

or.

do

.tf. 13,14

DO^ 0*0^0.

rrS

83i)0<

^oD. a<3& ^rc' cTigorr Scr^c^ex) 5 6^

e]&30^gofr
d

ar^o cOoeS rr^orr

D cxxr

24-7-1995

rrdo

cto

cr.

22-7-95

d

. (i)

(2) d 8

, (3)

& ^orrd ^od

, domzrdbgo irCT^S^^
9^oOoi5

CF.

- 530 028. 23-7-95

oc5oaj D <ix>c5 s

<SoS,

(5 s fi>fl

Qg? so(3o

i3&r)<b

orr

25 =5)

23-7-95

1 9 8 2 6 s

if p

V> A

S^2SJ,

- 533 105

esD

22-7-95

esrts

900^(5

25-7-95

o.

500

s

12
d^e5 s-^do^ ij-el ^8>oo- SS>3 (S'OSod. 1 9 8 1 6 s ^-So

1979^

1 98 215 s SB^^& 9<^^)S d'OdeSo asQftoa. 1 2

1 2

<t>d_33<iDcr3 oS^S^o DoSaiSoSo Light house ero<s3>

9000(50

cxS* ssoA^ SiiCiirS^ 5^

3%rr ^^

866 s ,'

c*

e

Soel

c^abo^

e

15023^)

eo <J CD

feOfi^DiS OQCO?^ iDeJO
eo G A eo

o 2o _ " 2

23165

" 5.

e-S

e

10

#8o3

Kr&j

^ o

d 6 coD 62)026 ............. " ii

o3b3 >toeo zydb^^o ^t^So^, wt5

ad

12

crcdbea

13

5 60 eo
JS

8

^00238

15

CO CO

16

o V

17

(I.* 1408 eT 6 gj^oO ^.^. 1503^
fbS ^o 203

m

Sol&So SSrotSS eo&S o/V3Sbeb

1424

18

eatj eS^oDb^So 162 c5i)o

165

163

zr !^) o

So

19

es&> Tr^^co o23O^^b^S ^ofiD^^ ergs'

d

es

sde p 3^coJ6

-SofiS es^oCb 3oJ6 SC^D e^c5i)d oCb

2.
3.

4.

f O

5.

-1 ^

14

.3. 1546 ot2rl

1553

1495 ^oeS2ooa as^oO o^Dod^^j^o. eggr^ 1

. (20)

" (2?)

ij

14

Thallapakam Poets"

"The minor works of Thallapakam Poets"
CbSoo Q&^Q SS^Sca ^6^ 19356^

J5

Ibcb

2.

H (30)

e

. e

10

(32)

(36)
tyrrti SoldJSea

eo

b Itf&Sa b oofc&xf* j-Cb

es

es ^odSer* es^oodSSb

V

. 9

2.

<)$ abSaeysrto^Si) 3)J. 10
3,4.

7. <

fei!5 SCb^er^fib^ 3)eo 16
8.

9,10.

i ^fia^->CT-^b^iS> ^)0. 23,24

11. 9J6 ( ^ir-cr'6^ 3c5 "tJB^ftSao (a$3d$)
fps Sfib^>o--cjA^^ ^)w. 29

12. 9S < ySr-T3-CJ ^2e$ "3S(eko ((S^SiS)

. 32

5,6.

e5d3^oer-aCb|dS) ^jeo. 16 ->

13.

. 36 .0

14. 9S^T-x3-^ ^S$ CSB^^S30 (&>&

$$J}&&t^&g$ ^)u. 38
15,16. v i >T*-3 o 6 &S& ^SB^eftSao (a^dS

?pS eojaoo^yCb^ ^jo. 42
17. esg,2o!r2x^c3^o -

a^ads. a.o.3. ^i^dcs - 3

18.

- S.d.S.- ^Kbtfo 1976, 1980

t.Q

19. *)o/rtf SoltfSeo - 2)SS - 7T8^gc7>&> Sao^tf^ 3). 32

20. Minor Works of Tallapakam Poets, T.T.D. gb-cfcties eta

21.

cS 3feoy8 t9J6od5^oj'8 ^jo. 124

22,23. eS^jNy^ ^3el ^a^^oo - <3yS<3 - ^^J^ - ^)u. 45

24. eSQSj*^^ ^3^ ^SS^^oa - a^SdS - -3^^ 3)". 48

25. S&ol$6 e^pSos - -3^^ ~ SdSj J6o3> 15,16,17

26. 3 c ySj*x3"tf TSO^JfiSaa - -3^^ - (fljadS) ^jo. 24

27. wJSSjvyfi xJS SS^ - I. "I I
28.

<rf 5tir8 oSod&ir'S ^jw. 325

29. 0"#)>g g)o^3bcu - 3Sa ^r>^

c^ ^t^r-a Sod5^0LT>8 ^to. 328

30. e^Sa-aydj ^8^ !D&^ - l.t ^^ip6 (pjp^fi ^^ ^)ta. 116

31. ^ol6J6 o^es^co - OS^S^ - 2da^ So^l2

32. Sjo/WS Sold^eo - 122 ^o^fej^o - /T8lD
3)u. 59

33. oSa i>eS ^-!r2aa - S8^ ^^o. 14,

- ^5^0

BE.

" (38)

R.S. Moulton

<3?jc3. "The improvised lyrical song, communal or individual,
a popular or artistic is probably the sumplest and most spontaneous
form of lyric expression.. .The true song is primarily. The instructive
out burst of emotion or emotional thought in language which by
aptness of word and rythem echoes suggests the underlying
emotion and melody of tune and harmony of stanza is adopted
to such modulations of the singing voice as naturally distinguish
emotional utterence ........ Thesdngis therefore more than any other

lyric kind, a musical cry" (39) 2<3 SSo-aa'aaoSo rtr*6 Mouiton

"that the popular or the traditional bollad is FOLK POETRY,
i.e., poetry that has originated usually in oral form among a
homogeneous non-literary people, and has been handed down

among them by word of mouth, is generally concended* (40).

23^"!

e? S

P.?

3

S

* * *

24

(42)

2 - -

3.

4.

5.

8.

# * * *

6.

* # * *

7.

ESSgiSI (44)

^ ot

# * * *

(45)
* * * *

rg It 5)1 (48)

* * # *

(49)
* # * #

9.

C"3 a o_ Ji a

(50)

47 &od tfe SoltfSeo esS^^j'cr'dspD. -&*c&;6

. fbo STOOD

TcR ?TT "TOT tu qF?T

6 ^6^ ZbdS
3-6

% ftft^T

(51)

CO O

) ~5o&> of^oodo i>o
o

(52)

if

230 5"

* * * *

(53

Ibg

* * * *

(54)

Ao &

24 ^tfeaScoeo Ao bo SdSfco. bo
OJS

(55)

* * * *

zr>cct)^o.
aA

(5?)

.* 153 3erg SSoe* soo
" (58) '

(59)

. (60)

. (62)

S^JS&ool Soi&SeSc&o,

o3oo, 0Ao6

2.

3.

4.A Practical Sanskrit
Dictionary - By Arthur
Anthony Macdonnel
(Sanskrit - Telugu)

= Quarter
Quarter verse word, readng of
veda in which the words are given
seperately irrespective of the rules
of Sandhi

5. Apte Sanskrit-English
Dictionary

6. Theodora Benfery
Sanskrit - English Dictionary

7. V.S. Abtes enlarged
Edition (Dictionary)

8. Z

9.

1954

Padam- aeSQ.tf ^<3o -Aquarter line
of a stanza, verse-verse -kavitha,
Padyam Kavyam-Slokam

Charanam , Padam

s A verse, A kind of reading

Veda without applying the rules of
sandhi.

A fourth Part of a Stanza.

30

(1)

(2)

(3)

35

ooo

(4)

(5)

36

(7)

if <5 : eF)r'35c>o

jfbijjdrs ii ( 8 )

(9)

crll

"On the side of theorists, the writers on Poetics, Rasas were only
eight upto the time of DANDI who briefly described and illustrates only
the eight Rasas". (1 0)

rtrd 36^, d^^ooco SStyC* cdoD5.

(11)

37

(12)

<,

<? 43

^02:00'^'. (13)

3 t (SiQ, ty\2ri5w, ifcS, ^rfoS) SoocSort
SC53G3 6 5<33. " (14)

(15)

s*<33.

aS^O

ScS^ <5<b: (17)

s'CSi. ^cbodo d^d^^ s*do.
35 ^<x> sa
dc&r

Sdo

38

INTRODUCTION TO SAHITYA DARPANA tf

We know that Bhattatouta was the Guru of Abhinava Gupta and
that he wrote a work called "KAVYAKOUTHUKA" on which Abhinava
Gupta wrote a vivarana. One of his doctrines was that SANTA was at

the Head of all rasas as it led on Moksha.

39

"close on the foot steps of Santa an aspect of love called preya or
Vatsaiya covering cases of non-sexual love like that between Parents
and Children, Elders and Youngsters, became a Rasa.

The olden preya of BHAMAH and DANDIN as speech expressive
of Non-Sexual love developed into new Rasa.

DANDIN says that this preya is very closely related to Srinagara
but is distinct. Since Prithi is the basis of the former whereas Rathi is the"
Sthayi of Sringara. (18)

Scr

(19)

40

(20)

(21)

41

". (22)

(23)

(24)

(25)

42

(26)

.,

28)

1020

5^

43

(29)

eoj^ifca rStfda.

(so)

'

44

(31)

5^

(32)

(33)

45

(34)

i

46

-5.

crrfo o$>3' ' ( 3 5 )

(36)

to) >

ig ^on*<JAfr- ^cB^dfc

"Rasa is the fundamental joy of life, love of life
------------ The mortal aspects of Rasa are turned

into immortal ones when diverted towards HIM

or comprehended in His LILA" (37)

47

1.- 3-&$*\jJ ( <S - $$&>&> (-7}

2. s*3iQQs*6Q\rtr36&:- S!^<F3o;^d^<PC&^|^<b- 279

w
\

3. 5^5^05*0 SoifKraSdes:- ^^g'^o^j'de^' credo of ^,;fc)43- 279
4.5.

6.

7. c3*&g^3&>o ?JcJ&&> (16-1)

8. ^&g^^ 5tf^5<g5 (18)

9. >^3J<%l?c><5b:- ST'^CP^) -18

10. Number of Rasas - Dr. Raghavan

11. e30ii>e5a&C5 O&f3fr~&&ix> )<b 289

12. C5^C^OeS^00 - <S30($DO 55<3^ SJ)& 1 5 2

13. s*aoos*&$w- (15-17)
14.15.

16.

17. s^^oo^d ^oirf^r<5x> - )&> 299

1 8 . The Number of Rasas - by V. Raghavan Chapter VI Page No. 11 9

19.

20.

48

21.

2 2. d&croe$<&o - eo^So 5<3K$)& -178

23.

ff
~2 4.

2 6 . #rf3<^! c5^o&i^^> - ^(^^j-^ s<j^a, ^ds^er^c^- 1 o <5

2 7 .

2 8.

29. ^rrt<5S^x>- (11-2-45)

3 .

31. #rf<S<3! d^c&,5^> - ^3<^>^P(3^ S<SSi3 - GS(B3j;&$ -55^5

32. ^d^df d^csS33^o - ,)c^)^rcS<5 Sd33 - CScapep^^D - 57,3

33.

34. Jrti5cS| 6d'CSb3x> - &^^y<35 lidSS CScS^cj^^ - 74

- 49, 60

37. The Bhakti cutt in Ancient India - Page -411 by Prof. Bhagabat
Kumar Sastri. M.A.,

49

f,

- ^So^Sotf

51

-

9

(2)

(3)

(4)

53

"Karma Yoga and Gnana Yoga are means

to Mukti only through Bhakti Yoga. Bhakti Yoga

is the direct pathway to perfection, as it leads to

the very heart of the relegious consiousness" (5)

" (6)

(7)

(8)
Sort,

54

"meditation deepens into Bhakti and it is the
practice that becomes the direct path-way."

Bhakti is continuous meditation on Brahman touched with love or
Priti. It is absolute devotions to Bhagavan as the life of your life, and is
love for loves sake. The true Bhakti is the true gnani as he knows that
Bhagavan alone in the source and satisfaction of life".

"Bhakti is continuous meditation in which representation acquires
the vividness of living presence" (1 0)

(11)

(12)

<3* c&3))*o&><&>o (13)

55

c&>o<&

" (14)
5aa^rt)

S^DOu), ^toiSM^CJOMOiSj^". (15)

" (16)
" By Bhakti we mean on intense !ove of God" (17)

"Bhakti is pure affection for the highest living, who although he has
the whole world within him" &3 3oc-Sd > 6" rrdo D5OoO5. (18)

(19)

(20)
soda

56

rforr

. I,

1 6

!

5| (21)

(22)

(23)

1.
2.
3.
4.
5. fipS/fib :- JSgtf tfrstoS r&s^oiD S'oftoO

57

d) 5J
(t^Ss

S^S ^5

(24)

(25)

(26)

(27)
(28)

" (2 9)

58

(30)

dcSo S^s ^deso d*cSlD<5^o

(31)

(32)

59

2.

3.
4.
5.

6.

7 .

8.

9.

10.

11.

(33)

83*3*

(34)

(37)

(3 3*

(38)

60

61

o&od<D

(40)

(41)

(42)

(533

(43)

62

$,.

" (44)

63

(45)

'64

(5^0^)5(46)

,

15,16

SQft

4 3 <3

. 11^5 $&>&

(1540)

(47)

66

3

67

J5oiD^

68

06^(5,5

69

(49)

,ScS

U Q

(50)

oxr

fieri

'

rtcr i

3

3oe, y o>JSo

5>d&Q<&.

es

63

. Srir

70

J

cxSp.5

" . (51)

5^

(52)

( ssocr-f).
71

'' 65^

(53)

1 ^fft

jflTF SP

(54)

(r_^,.^ <

cr*.

(55)

72

fPOOv), eT.^) C&^rt ^f<S e!0o>

73

(56)

a<

(57)

74

(58)

Sod:

75

(59)

(60)

(61)

. 9

76

rr

(62)

(63)

(64)

D, el)^c5oo>,

. (65)

77

esOft

78

- 2 ,3
2.

3 . 1<*aH3aS);&$3 - 6 <3 S9g*<c&<&} - 2 3
4.

ir5 ^g^)^Sx> - #J i^Sb^p erd^^^o <^>o<S - 1 3 6 <5

S . The Philosophy of Visishtadvaitha - By P. N. Sreenivasa Charya
- Page 354

6.
7,8.

9. eso^S ^S^ ^"Ir^i5w. CP. 3. (f^oa*4 - ^)<io 3 6

10. The Phylosophy of Visishtadvaitha - by P.N. Sreenivasa Charya
Page 358

11. &&C$;)to3- 3s;$(ajVfc$ - 17, 18, 19 g^^oo

12. |A)CSj)/ttd - ?JJ (Sj-rt^w -2-3 g&$w

13. 4 fia^^^iSM - & Issycr^) oSa^o^c? a-gsjrg^c&x) - 1 3 43 )&

14. l^d^ft-S - cr^^gpgo^^oo - $Jf cSj.1<^o 16, 18
15.

16.

1 7. The Gospel of Love - Lala Kannomal (1 923)
18. The Origin and development of Vaishnavism - S. Jaiswal
Page 119

19. 3;poi$5 T8^c&;$ cr.

20. ^riiteto- oS-g&ij&eS&SM- 3, 29-11, 12.

79

21. 5 cj* d<$x> - 6063 3 063 - es&<3*c5<&x> 1 3 <3

22.

2 3 .

24.

2 5 .

26.

27.

28.

2 9. <^5g i^aod^cbS - |,^P^?. A o)c5! .i^o^iydoOD ^)&> - 20.

30. 3T("k5&& - 22^ 5^050^)- 21.3

31. ^rrt^^^S^- 22^5
32.

33.
34.
35.
36.
37.

c

38. &&qr^fi&&8 - d^&^ocSAo - 3
39,40. .43<3 3(Sg tfaSii ^>oO^ - ^>to 8 2

41.

42.
4 3 .

4 4 . 33 S^- CJgS^d^ ^>o^)^- 1 9 7 6 >-

<&\a<3ji3*&K'co S3)dD - 1 3 9.

e- ES y "^

81

45.
46.

47,

^8.

.50.

51.
52.

53.

54.
55.
56.
5 7 .
58.

5 9 .
60.
S 6 1 .

62.

>,
63.

64.
65.

. 15

-ST.

695

f^cf

3.3.5.

- 3

- 142

- 155

- 1 5 9

- 1 2 <5

7 9

- 1 8 2
179.
183.
184.
1 8 5
1 8 6
187.

8 2
p 137

81

83

c7D

(l)

85

rr c )

25 d^^o (5*3

6B

63 rrSo^) ^ocS^O^ o ej'^^do. ^orrd ^bod^c

e? eJ

. SSd

86

^ 3>c5

Love to him (According to the Author of Sringara Manjari) is an
motion which can have only one object whether it be the case of Sviya
>r Parakeeya, Kulata or Samanya. it is some thing which having come
ito being for some body, produces no desire for any body else, it can
lever before money and yet to be love; and such love arises not by any
eason of beauty; Experience shows that such love is a blessing that
providence gives us. 3

." 5^3 G.

87

09

9

3

,

a

12-67

SS

ess

89

4 9 .

678.) 8
2.

AocS:

boc^fi 56

90

JD&\ d-cSp Sodrf&o

i

5&> 24-255

4.

91

2.
3.

cr.

?" 10

(12-159)

23

" (11)

. (1 2)

92

o) SJTVCO

s*)

93

&

.? C5

$&

(13)
2.
3 .

t sS&>& tSr^i! cijoocSa)

(15)

94

crrr

95'

4.

(is)

2. SSolseb ^Sepo cx>^

96

IT- 6 So ^ &5S
I dS '
rtS ^^6^ e&S

r ak3c5 ^>c6D

ft

n

Q

c&ocfc

97

(17)

- 77

2. "3os3^
3 . " CSP3S

(16-2)

2. 5&^<V<3^i33e$6db3*- (18-242)

3 . 3o> tSo<5<3 Sej; S^poSS^Sa - (28-285

4. a>oS reiSM 0(& ^DCT c5o3 - (30-315)

.Td ^0226 -

98

a-

HSbeSSI

eta

99

(14-17)

as

43

aocrs^ S

100

(22-260)

cp. ^r$D5 < S' rrda

"The Author of "Sringara Manjari" Criticises, Bhanudatta's defini-
tion that it is not applicable to a sviya on Samanya who do not go to a
trysiirg place, But one exporting union on meeting at their own residence
and are dis-appointed by the lovers failure to present himself. Thus the
Sringara Manjari really on larges the scope of the "Vipra Labdha" offers
its definition that she is one in the pang of separation consequent on

disappointment caused by the lover" (20)

^0236 s^doD

^c&r- S^oa^ ^rooo^ ^(JrSSo ^orrtf ^0236

101

cr.

2 .

' (21)

3.

(25-572)

4.

" (12-138)

102

5.

u)o3*,

060 dS ^oSo id

JDoft

103

sr-D

Sbfi

104

5

" (23)

owS

105

" (22)

lloorrdoll

DoS

oocr

106

Sootf

1.

2.

(12-50)

3.

rto

Sod

107

5tf. llrfO&ll (30-27)

6 '

iii)
^r

iv)

: \groQ, Zto&Z), ^Sj^Sr, JD^^b, ^d $ejs:>C$c&>s
ii)

108

ooe$d<3 SSDd S3 1 1 3^31 1(18-42)

STP StoSD (P5<5G. ^P
<ss

109

23? (5, l^CJ'

Sgofo&arf

"$%eS6 s^^So j|*.^^

air

.

c^ &er
iSrJ

(24)

lltoll (20-548)

ifoO

(20-257)

112

2-

(20-316)

Sof5

3^6

(17-565)

113

7. d

.13

iv,

". (25)

114

crtT

115

iv.

a*3c3o (30-102)
if o> S

25 s

8

116

coocrsrHI

117

crS

,f 5

118

& aos^ DOS'

1.

2.

3.

crrr

119

\ V flk fi ^C "^*,

a j

(28-462)

(29-420)

o

$&

rtc?

J (5 s

(12-142)

120

(27)
* s(5

<^

1)
2)

3)

121

i) 5$^^ ) ^o^, iii) 5^^, N) rfbes^^iSco, v)
vi) 3er > 3<&o, vil) i&^^Sx), viw) JgO> ix) ffiileS, x)

2 .
3.

S^x 33*^ ^5^

(20-259)

fb

esSo

122

4: cdo^.
rfcr

i; rrcr

Doer

123

(31-342)

2.

124

Ibcro&Soo.

28-169)

doAefo s^oeS ^$3 rtrfi

125

o

rfcr i

S (f 56 s

eoix>*o<*3)

1.
2.
3.

126

(22-200)

2.

IliSII

32

127

aocSi

(26-475)

53 J

000 S

128

2.

3.

129

2.

- *

crcr

aij}S t^S^t

r^S crcr

x> aroood: ^

oi^ci" 6

^ lib ^ooo 3 S.

n

130

Sij;u>ouo. aririowwoo^ iSodu)^^^. "i?'oc5 B^crcr iw

(2 5-3 o 7)
<),&> (30-85)

4.

2. eso

131

ii)
iii)
iv)

D (28-416)

esesSoeo

132

aS

133

Scfc.

2 .

134

(29)

(30)

(31)

odo

135

II Do^ 11(32)

ir-do

136

309)

(34)

137

2 .

3.

138

oxr

aodO

3 ^u)&. S3 00^ 333

.

"SxScJfr

139

A^.ort

W

& & 6 rt e^a 1 1 a 01 1

140

2.

3.

1 1. <DoJ rtoS aos 71

aoSS 5 ^ Qe^ SSj'ir^ (es.^.^o. 20-255)
2 . s ^iSi 5:3 <5^cr ,5^

i5od5 ss^ a>o4cSo SooaiTcT'&i (e.^v^>o. 22-104)

*J CL &

3. ^&^S ^^Sej'cr^ (&>S5Di"b

C^l

( e. N. So. 3 - 1 6 7 )

6.

s~"t>3
141

.a'. <;ir\^^p-', <, ,,f\ A.
>isJjv> f-JU. ^5 rJWv/ IWOU

-' - a

.156

142

2 .

3'"\
. oJ

4.

wCw uO'D^ i>j w^dvo^t I
*

fe (29-588)
^<5

(29-598)
7j ^
rr^c&r (30-188)

7.

143

. es )&

esc&><3

es i

eg-' sir S3<

~i*

144

g ^t i|o) ^^esA)

cxooQ <

*>

^^ool) SS (26-144)

2. !DIX)tD&) t $&ej s e> ooo;Srcdo j 3 <3e;)

(bcSo^o Sfirjrt (Tc^D tioj^ ^ <5D ( 2 6 - 2 2 )

3 . aSbjxl) &$ <3^3 36 dj'^D ^^>^

^^)iT SodD 3FZ*zz> cSj'b QS^crcSa (30-242)

4. e$>do s'C 8 ^d
ffoft

8. a-ft, 9. d&, 10.

1. <^><3^5 ScS^r && ^o^rS:) srcrvG 5r arg^s - tf&tooasO

2.
3.

T45

36

sscr

ad

! ( 3 7 )

S5A jto-i:

rfcr ; gS^Aft

'

146

e3 c So*

Sdo.

esS

rrdo

ydb 1. y>c33o, 2.

3, 3. jd'ojCr

147

lodges,

cr.fo -

148

2.

o*cr ^o Ocr^ ^to J13&3IJ

3.

(28-193.)

SdS

forts

2. ^oo^rd crd"o :

149

1 .

Swtf.'fc Soi

rt>ario SOS tS'^o

11^11(12-269)

aS

eDjoS

150

crrfo

ftSfto^cr

151

s

N"* /<ill ( O f\ Q Q \
ojCaJii \ c. u y a /

1.

18-180

2.

24-575

(43)

1.

12-17

2.

g 54)

3-188

3.

12-122

4 . isb* co) <3DS SoiS

3-117

152

3-609

0*0* - 17-547

^(5,

S^s

(f 36oci>

153

S3 tJ

2

cor e&

154

27-484

. **336
~

26-142

j^^oo cr.

(44)

155

s-eo

17-298

o 5S a^>|^^" (45 )
cr. Stops 35oc$ ( ^p rrdb 5?yO.

if o>

26-21
2. ^o5(r$5<5K!3w :- aoS ^oS ^<5w

26-58

1.

2.

1. ^^$00^0 12- 133

156

tJ O

rfcSo

4

Jo>

4 9

157

". (46)

" (47)

. (48)

(49)

158

(5S

io>

V.

2 .

fiiafi

159

fc*.

160

\ < f. Q-"-, ,-,> ft < A

"(50)
6B cr

161

(o-rfo)

3. cre

ioSo^ 3*3 ^3 3eoex>

oxr esi

162

27-448

cr. &

163

3-54

5 4) 4-74

1.

2.

2)

164-

cr.

56

" (56)

165

fifes* f.
" (57)

<a*S

rfe

rtxxfcg rtsoS i5ft5 Ib

crrr

12-324

166

(130

CT! oooS ffe^oofiSto 52J* ir^os^cOo^d^" (60)

3^53,3^) fe r

167

ic

v-

2 .

168

crcftr

rtrfi ^rli^r
Sp^^ crcxSp

,3*53

169

(18-540)

* '

*oS

. esotfd d5oo(i>

4.

170

(20-65)

4*

171

4)0-^3 s^co

- (crrfo)

172

173

^c5cooot3<>.

" {64}

(65)

(1800 \j.$.) 5^ 30<Tt) ^S eS^ "CTOS^^O^" 65^0

. (63)

174

2.

(66)

o&of

2.

175

5cS6o

on

oxr <} .-

176

crcJSo 23*^0 - d'cScr^o 3i-si

1.

aouj)

^O ^OX) v?

20-25

2.

177

3.

20-32

(67)

178

O 14-232

4.

.S 5)

cxocDS

179

5. d*^Q 20-497

Doc?

fr. ^_c

6. d*d 31-56

180

SoG

SO
25-455

181

cr^

s~cr )yy >o

20-496

31-137

5 crcr 17-547

182

S*,**^
o^wU

13-363

3.

13-324

4. _

^rrS 17-483

/C'l) ^'.c' 5ojoJL)
. 'w '

. esccoB es^-d65? ^^.r^OsSd^o rte

'

; itr-6- ^ex)iS iS

u ^

183

"The author of the Sringaramanjari" syas at the begining, where
he sets forth his method treatment andthe topics to be dealt with by him,
that one of the special features of his work is the description of the
varieties of woman called "Padmini" etc., which the previous treatises on
the subject of Nayaka-Nayaki enumarated by him earlier do not deal with

Accordingly, at the end of the work (pp 54-55) he speaks of these
four classes of women. He says that so far he has been deeling with the
varieties of "NAYIKAS" as dealt with in the "Rasamanjari" on the basis
of different kinds of moods and reactions in love and that now he would
deal with a classification of both Nayika and nayaka by gunas, following

the views of Vatsayana.

M (81)

^rcco
S)dJ*t30vi>& iSeS 1)0 orrd ^oao rti>5iSc5

"Having
and very broad private parts; very difficult to gratify sexually 1 eSardb (32)

(83).
184

> Sol d

12-92

-

"Private parts soft rotuned, bloated and not very hairy ......... loves external sport

embrace kissing etc" (84)

iSei (85)
'oo dS dir<5DO<3<0 a-s'cS 3odo e

12-92
dS
0ft. ^o'

185

Scratches with nails in enjoyment, heated and bilions constitution,
having a voice of an ass. Irascible feat. (86)

<586y8|tc>

(87)

sdS (Stoex>l35 ^oDsSs^S II^OuII 12-92

65^$ cr. cr$od5 iTb'i^ ><35o)S. "Devout, lashful preserves her self
respect' (88)

p(89)
186

(90)

' ' 12-92

6.5 cijooui) ^rcoo^ iTtD^ o&c)

12-123

187

do 60

^o o<D ^5 5 ax>4)j dS^ c>c3 rr

crlDrr
Oft

a. ( 9 1 )

188

28-171

0*^3(5 S-^D a* df)

StocS

o
w

."rdo "Loves external sports, embrace, kissing etc.

189

rrd

'hysical features .trCr* (J3dr i 3g<33 rt3<JTc"DS'3eo^)LS5 'Graceful gait, neither
ie tall nor too short, slim*. 53

(<3S dir^jico <5^)^)5ou)) Adept in and devoted to music, dance,
ainting etc" 3 MDoO^rdo. (93) s*S

31-24

190

i c

?boiT6oub

3 Sod:

(T

31-373

oca 5

191

6cr

(40)

192

5J c^

' ' esD

3) e5A>crcoi^). 4) ^c

rfOA

dies

foe dJoocSo ^(SocrrticSo u>!e?ow<3;-&&>. eso.

Vrf' ^

1.

193

.

ZJ O

rte

^eo^srex*

194

(42)

j' <5$3>oi&<&>.

*?<

*J

S'G*

195

(.24-570)

3.

owto
63

5 Oft $?>&& 3

sr-JD

196

4.

crs

1.

2 .

- 30$ d-tr^g

197

3 .

1,

cooofi

26-24

aod

198

.

t: SO A

^30

2.

199

Ib &<eo o>p <s>3 Sdrfc* II aos-ll

aosll

II aosrl! (25-127)

1 .

28-40

27-217
20

30-141

'i> -"-W S <^

30-46

3.

i >

osoodo

<tsrex>

201

ese&e^ortS er

20-552

2 . Sw rtirc&erfi ^Soo rt^ cOojS 1&S

Dtt)0 urdc^el S2r)S<SS . 22-486

3. &>5 (Soe; SSr^S <&r^ ^4)

24-255

28-236

202

5 . Seaertf wrd3 o*r 30

COOP? gS&J COP ^r^o 30-274

1,3,5

2, 4

4

4.

2. 3-^ ^rcco^ GJoo^ -c5 ^r^)3

(i^cSo-^ub. 030X1^6^0X3^0^060 (

203

3.
4.

crD

if 6<S

204

20-429

2.

cr

205

SbS i)3

e^.c&w esSo ^n

e

206

cdooo

3 .

S'A

rrlO

<55D(fi

207

20-397
2.

8303S fieo^a >^Si5J) sJD 25-189

3. S B3-<2o{^a$ JteeBrfs* i 5)4)

31-258

30-464

208

^orrds

(68)

209

d-oSddo. ssiS

% ~-4 - *
ajSA; S

esc&r .roxi^rTcdo^jca ecfip

'

12-191

' 210

crc&><5

trO 12-267

211

dffWS

25 s <&

24-110

SO

212

23*03

4. J5j*^SrT^ 29-515

213

xx-> T ~A ,. -- r f x f- < -f-vX <>-, =r

or^. C, i3C.C 23 wj Sw^LJcCOSajOJ

v:3\st} rftiSiS 5 030 OS 6

w &\ *s *f t ^

cO {jond:o

cSacSoe

214

5. ^dCTc^O dCSo 30-545

2.

3.

OXP

27-491

28-157

31-286

cooo^S

12-23

(69)

215

V " vU ' wb">s-V, i

S^rvr**^ -Xj ' l^
'^JCJ 1 2C a>X). cJ

#3 ^a tfioiS3(fc&>

iTo

(70)

?&

' (71)

216

217

1. Boorfo s*o*fi> 29-590

doD S\i!C02S SK.

218

csSooci)

55ft

219

&>&53o;S<33

30-554

220

23-25

23-511

23-20

221

(73) eD

*

2 . "-ycrsp^ es^adj ^O^s" Sc) &JSx^& Sd^^^i (74)

3 . " 5,4}^)^ Ssr^TGOEJ^o cJj3*??SeJS>'

(75)

e)^eo<iSoaex)

d^^oooo Sow*;j) SSad3o<J5ooei"b^
dorr cr&go ^3*6 S<2dc?<5oo (76)

2.

-ijoo (77)
3. Sei)(J "5 q

222

(78)
4.

(79)

223

. So

;

224

31-126

5 63

GO&

Iblb (SooS

225

^ rfe

12-13

226

12-38

v!5 arc&i: ^cco idaiSo

(3-521)

2.

(3-198)

227

II atfdall 23-73

1 .

27-442

2 .

27-451

228

<?

Merges && ils* ^

ss^co^ooc^D ("0600

229

' '{80)

(24-217)

5do

230

231

2)&. 83

2. s^geos<53oirt&*!b6g307, 310, J^g*3o

3. Introduction to Sringara Manj'ari of saint Akbar shah - edited and
published by Dr. Raghavan - Page 90

4 .

)&. 84
5.
6.
7.

8 . 3*t% ^,^^5X) - 0, 1b. C&5. 30.

9. s^^

- S)<b 9 8 .
10.
11.

1 2 . ^fc; 1 5* ?O<SDO - 1). c&5. ssd. S^.,cr4 ^)i:. 678

J V^ oJ ' s^

1 3 . SeSotf

14. ST. Too.

15. ^r.^.

16. ^trdi'

w oJ

1 7 , 'fRT % ^ *i+^H - -4l4>ll
18. 1*03^^^45(7-2-4

1 9 .

2 . ^OiTCJ <oo3f5 - introduction to sringara Manjari of St. Akbar Shah by
Dr. V. Raghavan P-79 Pub. - 1951

232

21. ^S

- 99,100

22. <&>&o<S<&re2 - &>ef ipcr^& - jo 17

23. $, &3$p&S&$ $&S - S>;^o<frfc>. <3| 3o$ 169, 170,
171.

24. | ^ B > oT&Qtf - 6 - 2 - 2 1. <S. cfodf. 3<&oato<fcge.

25. *r<hd*g &e. *>tf^3dex> - arS" |x30Jrt 3$&tx> - cr. S.
$to. 100, 101.

25/1. jfRT^f^M^ - 3&W - .$. 36, ^.^. 37.

26. cr.

27.

**

2 8 . <$&fco5 - $vo& Gfiosj - ^ 5 4

29. eoi5SA>S^?rrfS^iS - 10-1010

30. " 10 - 1011

31. " 10 - 1044

32. fi&x'o ^>sr^S.T5 tt5$c> ^CSe^co - 161.

33. " 30

34. ^ffTTlIcr^^ -?R^r -3- . 226 - ^281

35. o. ^rtr c5<5S^. .So. crc&^fe Jb)& 61
36.

,37. ^D^ood^re - 8

r 3 8 . ^rd^^<3x> - & cdo5. es 6". e^.cr^) ^4:- - 674

39. " "

40. 30. ^. d^.S^!0. SS.^0. ?Tfc ^>42 83

>/

41. <ri;^ F^<^X) - cr. t. c&S. ss5. ss^cr^ }&. 704

42. Ais.fSouio- 35 $>>.

233

4 3 . &?2&& &$e SdJde, $T3rcS3*rt3$aex>, fi&c& o^fcw - or.

3&P5 es$oc$,&p 3>&e 8 5 , 8 6 , 8 7 , 8 8 .

44. " " 3&to-89

45. " " fcto-90.

46. " " fcto-83.

47. #.1<3c$^f tf3-C&<3& - <&.&?. S. &cpe3x> -58 jjgo.
48.

49.

5 . ewSiSarcrfi ^3^ t36l - d& ^to0 l2>?r^ s* ft. 1 6 .
51.

5 a. SaS?rrtiSAS - #&3S&r&g<> - 7-17.0

53. ir. a. gS)$<, ^*^*)(BF(1Sl^ei3, doSo ^o^<baS cr.

54.
55.

56. ^^d'g$$e ^r^3l^3- cr.^. .^>j. 87.

57. S^S3^rdjg %orrd Sol3Se - So. 2, &d$ - 15.

58. es^^oScrcrdg ^oo > <5 Solg^oa ^fc. 2 0.2^5 So.

60. s*. So. S.SJ. r^o. ^a. 61.

61. | jSay^rrta&SM - ^^4- 10-1433 ^.486.

62. | &arrta&S- flFAS 10-14-54 ^j. 488.
6 3 . &s|tf r<S^

^.20,21.
64. "

6 5 . <sr^,ag &$

66. wo. (S. C33o*^r^^cio - cr. xS.

67. $ 3>3sjvtt$&$ - 10-971 ^).

234

69. er.d'.sViixs'. $r*. {*xX - cr. 3. .<i&r. ^). 112, 113.

71. " '* "I4343dgo

72. &&t$6^ - 9o3*3 ">g3

73. ^ijveos^d ^o^rfoPoSw - 2hlc&p f<j&<3 - S^). 413.

74. s*<3g|&S'&&o - (&x>d&2i<*3 IV 49<3 &j>(el&o.

75. O*<s)rfOfr*{J}do53>i 83rtf3*y<jS o3OOw3G3 2). 99.

76. ^o.^j. ok^^&ea&x S. 6odo'(5^eo ^)~294

7 7 . t*>6&(fci$ c^^^&r^ssA

8 1 . Introduction to sringara Manjari by Dr. V. Raghavan - Page - 33.

82. " " page 38

8 4. Introduction to sringara Manjari Dr. V. Raghavan Page - 39.

8 6 . Introduction to sringara manjari by Dr. V. Raghavan page 40.

87. $\orr*o* 5oosi5 4SJ"i6"o!Jr S). 54. S\ 310.
^ ^ ^^ ***

8 8 . introduction to sringara Manjari, Page - 41 .

89. ^ofpo* aSooasS - &$^6^ - ^f>. 5 5 j?. 3 1 1 .

90. " " r. 312

91. ^'^J&'g s^)e SdsXdco cr. i>. s. ^w.^>. 102. 103.

9 3 . Introduction to sringara Manjari by Dr. V. Raghavan * Page 39.

235

1. e 3 * " ^^ &i&S ( C&tf) -

2 .

3.

4. Atffifoo&s-^ato - escft&S

5.

6.
7.
8.
9.

10.
11.

12.

13.

14.

15.

16. Sd6s-c5) JSwaS -

1 7 .

1 8 .

1 9 .

20.

21.

22.

236

23,

2 4. *F<s,3* &e ; #&>tteQ - rr iKarf) &Sr< - cr. io

2 5.

26.

27. eoJ^i>d3CS c&^^r^oAo - a*,

2 8.
29.

3 . ts

31.
32. s

33.

34.

35.

36.

37.

38. p, 3&5>|9 - 6&&> >Ou)& 1976

39.

41.

v. 42.

Us.

i- '

44 "Sc^to tv r oJ*e$ i O? o^^o^ucdocij^ io6ioS30~ cr^o so. 3.

o a o

45. Bestow iscS^S^ - c*. OS. f>Oi"ii>\
46.

237

47.
4 8 .
49.

53. aoASo- "Soofb

54.

55. Minor works of Taliapakam Poets T.T.D. Publication.

56. The modern study of literature - R.G. Moulton.

57. Methods and materials of literary criticism - R.G. moulton.

58. The great integrators - the saints of India - by V. Raghavan.

59. The Philosophy of visishtadvaitha - by P.N. Srinivasachari.

60. Number of Rasas by V. Raghavan.

61 . The Bhakti cult in ancient India by Prof. Bhagabat Kumar Shastri
M.A.

62. The gospai of love - by Lala Kannomal.

63. The origin and development of vaishnavism - by S. Jaiswal.

64. Introduction to sringara Manjari of St. Akbar Shah - by Dr. V.
Raghavan.

65.
66.

238

^6 <f d'e 0*^ MA, Ph.D. rraSg^

1987

(1382) "Se

tK- f XT^ *-. X -3 <> < so- "<-.. of.^'' fixf ",*: ^ <..-,,..>. ft,
JcU Js'Ocv nJ 6. ty, OJKA* o-^w waJww*. O'W 3WcJC*'i'U raWc^wuJv'

. cr.

otfexr-tfo

So

7 8

O^^odSJD. e3N^S^^^ 1979^
1 2 iS

S>!X>JSS)csS3S3A>. 3&>aS

12

111

cr-.

1152

^S^oo 19766^
198315 s <&re& a- jS>di3i3 ri>^ 5

Sola* ^ocs'd^X) c^ofi 3)

IV